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Hey everyone,

I hope you're all well and had a great Easter. 😁

As promised, here are the projects on which I am currently working, as well as my completed projects that are ready for purchase.

Painting 01: Valley of the Nine Rivers.
Status: complete
Painting is thus available for purchase here.

Painting 02: On the March to Ragnarök
Status: complete
Painting is thus available for purchase here.

Painting 03: On the Road to Bree
Status: complete
Painting is thus available for purchase here.

Painting 04: Tyr & Fenrir (unofficial)
Status: in Progress
Still working on it.

Painting 05: The Witcher (unofficial)
Status: in Progress
The painting is inspired by European folklore - especially Wilder Mann (Wild Man).

Painting 06: No name (Norse longboats?)
Status: in Progress
A painting of longboats juxtaposed against the Norwegian Fjords, inspired by the works of Hans Gude (1825 - 1903)

Painting 07: The Call to Hyperborea
Status: in progress
I think the title is self-explanatory, but it's a landscape featuring the treacherous road to Hyperborea

Painting 08: Hel & Garmr (Unofficial)
Status: in Progress
The title is self-explanatory.

Painting 09: Jörmungandr (Unofficial)
Status: in progress
After many hours of practice, experimentation and research, I tried to create Jörmungandr with respect to the lore, in the background (enveloped by cloud and mist). I have other iterations in mind, though I don't think they'll be lore-accurate; however, one of them will feature Thor.

Painting 10: Knight (unofficial)
Status: In progress
Just a random painting of a knight after watching a documentary on knights. There is still a lot wrong with it anatomically, but I'll correct it as I paint. I also want to change bits of the armour.

Phew! Now you know why I have been really quiet of late, lol! 😅

Well, that is it for now. I have many ideas in the works, but I want to first finish a few of these sketches before I overwhelm myself.

🐺 Æthelwulf 🐺

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Greetings & salutations,

I hope everyone is well? 😁

Whilst I'm slowly but surely digging myself out of the high mountain of work on my plate, I have been contemplating about something I haven't done in a while. As my channel continues to grow, I think it would be courteous of me to explain to new subscribers why I am doing this or the purpose thereof.

We are a people with a rich tapestry of fables and folktales which define our cultural identities; we have so many stories that many of them are in danger of disappearing. It is therefore my duty as an artist to ensure that doesn't happen. However, I'm well aware that it will more-than-likely take me 5 lifetimes to go through a fraction of the stuff. But that is okay; I'll do what I can with the time I have on this planet. Sometimes I will paint historic or cultural paintings just to further enrich our collection because no man should be left behind, right?

I do not see myself as the next Carl Barks or Norman Rockwell. I do not see myself as the next Frank Frazetta; I do, however, see myself as someone who is willing to learn from the old masters: to build my own signature style that'll hopefully compliment, as well as respect our folklore, stories and everything in between.

I seek neither fame nor wealth; I simply want to do what is right by ensuring our folktales live on in order for the next generation to enjoy and cherish them. With each passing generation, someone will come along and continue where their predecessor left off. Sooner or later, I'll pass the torch onto the next generation of aspiring artists.

Thus, I'd like to say thank you to all my supporters. I could not have done this without you.

I'd especially like to say thank you to Hyperborean Radio for their constant encouragement. I've been slapped; I've had cold water water thrown on me; I've been raked over the burning coals 😆 because I didn't think I would go anywhere with the path I have taken. Instead, they stuck the pen back into my hand and told me to never give up.

Quit your bitching!
You descend from the gods!
Start acting liking it!


Words we can all live by.

I hope everyone has a wonderful week ahead.

🐺 Æthelwulf 🐺

(PS) You can check out my website, as well as my store to see anything you like. You can likewise follow me on X for the occasional tweets of old paintings, architecture and artists who've inspired whole generations to learn, grow and create.

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The Way of the World

(Norwegian folktale) #folkloreSunday

A curious man, a hungry dragon and a cameo of Raynard the Fox. What is not to love about this charming tale from the land of the Northern Lights? 'Tis a tale which speaks of a man in search for the finest wood to cut hop-poles but could not find wood good enough for such a task. The man searched and searched for the right tree until he happened upon a large heap of stones; but buried beneath the stones, a large boulder can be heard.

Groaning and moaning, it was. But why would a boulder make such noises? Somewhat curious, the man venture forth to chop down a tree to fashion a makeshift lever, tilting the large boulder. To the man's amazement, a large dragon emerges from underneath the boulder; a hungry dragon no less, ready to swallow the man whole.

The man scoffed, expressing his annoyance a the dragon, reminding him he saved his life; and it was the shameful thanklessness of the dragon for wanting to eat him up.

"May be," said the Dragon.

"But you might very well know I must be starved when I have been here hundreds of years and never tasted meat. Besides, it's the way of the world - that's how it pays its debts."

Will the man pay his debt? How will he satiate the dragon's hunger? Will Raynard the Fox play an instrumental role in saving the man from the dragon. You can read the rest of the tale here or here.

Illustrations by Ulla Thynell and John Moyr Smith (1908)

Happy folklore Sunday, everyone.

🐺 Æthelwulf 🐺

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An update on this project coming soon. As well as a general update. Stay tuned!

Æthelwulf
Hello everyone,

I hope you are well?

As promised, here is a quick update on the current status of projects.

Yes, it's been a while since I've uploaded new material, but I'm quite elated to say I've been collaborating with Hyperborean Radio, as well as Arca (our other resident artist) on an exciting project, which a full explanation can be read on HR's channel. I'm really excited and looking forward to this endeavour. Furthermore, I am working on a few commissions/paintings for upcoming channels on YT - usually channels with 15K + subs - so it will be interesting to see where this will lead. Hopefully something promising. I'll do my best to write a few folktale posts to keep things going, in the meantime.

Meanwhile, I am working on three of the ten sketches I uploaded a while ago. Painting them will take some time because I want the quality to be exceptional. So, I am working on Hel and Garmr; I've also resumed work on the Tyr and Fenrir painting because I've put it off for four months now; therefore, it's time to finish it once and for all. The third painting on which I am working is the Wilder Mann (or Wild Man). Perhaps I can provide one or two sneak-peeks time permitting.

Otherwise, excited times are upon us.

Thank you all for your amazing support. I could not have done this without you. 😁

🐺 Æthelwulf 🐺

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A brief exploration of the wildly forgotten art style, Capriccio

Style: Capriccio.

Origins: Italy.

Category: landscapes.

Era: Renaissance, Baroque.

Characteristics: Architectural/archaeological fantasy.

We've been blessed by many art styles, genres or movements over the centuries: from the solemn relationship between humans and their environment of the Romantic era, to the spellbinding beauty of exceptionalism and dramatism of the Rococo movement. But seldom do we hear about hidden gems which shaped or influenced a few art movements, usually obscured and forgotten, but yielded impressive results, nonetheless.

One such art style is Capriccio, an Italian art style, introduced during the Renaissance combining semi-fictitious and fantastical elements - also known as architectural fantasy - whereby buildings (usually archaeological ruins) are portrayed in a stylised, idealised or somewhat exaggerated setting. Though, sometimes the artist will focus more on the subjects than the architecture itself. One could essentially describe the style as a movement which appeals to the aesthetics of the viewer through subtle warm tones juxtaposed against dark and complex ones, creating a sombre mood, overall.

There were three painters renowned for their Capriccio paintings: Giovanni Paolo Pannini, William Hamilton and Hubert Robert. See their paintings here respectively.

Giovanni Paolo Pannini, Italian (1691 - 1765)
Portrait of Panini by Louis Gabriel Blanchet
Hermes Appears to Calypso, 1718


William Hamilton, English (1751 - 1801)
Portrait of William Hamilton by Thomas Lawrence, 1788
Classical Ruins, 1778


Hubert Robert, French (1733 - 1808)
Portrait of Hubert Robert by Élisabeth Vigée-Lebrun
Ruins with an obelisk in the distance, 1775


🐺Æthelwulf🐺

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2024/05/10 08:21:27
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